Hi folks,
Well, in a few hours, I'm going to climb onto a plane and wing my way east to Fayetteville, NC. I'm really excited about this. I've been invited to speak at the Cumberland Public Library and they've promised me the best barbecue in the country! I'll also get to see a couple of my students and colleagues from my online novel-writing class--Mary Edelson and Jeff Meyer--can't wait!
And, almost as good, I get to skip Halloween. Just not my favorite holiday... But, I have prepared treats for the neighborhood kiddies. This year I've opted for triple shots of expresso and a brand-new puppy to give to each of the tykes. I will miss my favorite trick-or-treaters--these guys...
(Can't wait to see what the PC contingent has to say about this...)
See ya in the funny papers!
Blue skies,
Les
Friday, October 31, 2014
Saturday, October 25, 2014
Thursday, October 23, 2014
New Review for THE GENUINE, IMITATION, PLASTIC KIDNAPPING
Hi folks,
My new novel, THE GENUINE, IMITATION, PLASTIC KIDNAPPING just snagged a terrific review over at author Carl Brush's review blog.
Made my day!
Blue skies,
Les
My new novel, THE GENUINE, IMITATION, PLASTIC KIDNAPPING just snagged a terrific review over at author Carl Brush's review blog.
LOVE, LAUGHS, AND CRIME IN THE BIG EASY
Posted on October 22, 2014 by carlrbrush
No novel ever deserved the “couldn’t put it down” label more
than Les Edgeton’s The Genuine, Imitation, Plastic Kidnapping. This
black comedy thriller will keep you laughing your way through your fear from
first page to last. Your guide through the amazing set of cons and mishaps is
Pete Halliday, a major league pitcher (for a moment) fallen on hard times and
looking for a score. Pete is earnest and funny and likable, but a more than a
tad gullible. His partner/buddy keeps dreaming up new capers. Pete keeps
falling for them. Complications ensue, and the results are both
life-threatening (to the characters) and hilarious. The biggest caper of all is
referenced in the title, and I’m not saying a word more about it for fear of
spoiling everything. Read it to find out, and I’ll guarantee you’ll be ever and
always glad you did. Pete’s cup of coffee in the majors happens with the Giants
back a ways. It helps a bit if you’re a fan, as I am, so that when you get
references to such as “Dusty” and “Kurt Manwarring,” you’ll know what ‘s up.
However, it’s not at all necessary for understanding when and how the team
dumps him nor will it dampen your laughs over the couple of the incidents
leading up to the rejection.
The opening sequence that occurs on
“A Streetcar Not Named Desire” is an unparalleled original, even for Edgerton.
Throughout, we get how deeply both narrator (and, we suspect, the author)
understand and care about the wonders of New Orleans. Again, I will say nothing
more about the events and characters for fear of spoilage. In fact, it seems
almost impossible to comment on Plastic and still keep the way clear and
fresh for the uninitiated. I can comment on how deftly Edgerton integrates a
reference to his most excellent, must-read work, The
Rapist, into the action. Again, you don’t have to have read The
Rapist to love Kidnap, but if you have–and you should–you’ll
enjoy it all the more. I can–and will–also say that if you’re up for a love
story between a witty, low-level crook and a loveable prostitute who together
get involved in slapstick felonies beyond any pale whatsoever, you need to get
this one. You really, really do.
Made my day!
Blue skies,
Les
Wednesday, October 15, 2014
GREAT LETTER!
Hi folks,
Sometimes, one receives a letter or an email that just plain makes their day. I received such a letter this ayem that did precisely that. She's given me permission to reprint it here and I think you'll see why I was so stoked when I read it. Doesn't really need much amplification. Just to note that it's one of the chief reasons I write and is worth more than money to me. Without further ado...
Dear Les Edgerton,
I am re-reading Hooked, and it occurred to me that I owe you a big thank you. I have been writing for years, went to grad school and several writing conferences. I wrote three novels, but I never felt that anything I wrote was ready to send to an agent. I knew that was true, but I didn't know why.
At one point, I decided that it was time to go back to basics. To actually learn the tools, which it turned out I had never learned! Which is kind of shocking, but there it is. I don't actually remember where I heard of Hooked. I may have just seen it at the library. Now of course, I own a copy.
I realized quickly that the novel I was working on would never sell. There was no inciting incident, no story worthy problem--just people doing things and acting generally grumpy. I rewrote it, found an agent, and my first novel will be released in February. (https://www.goodreads.com/book/show/22010134-when-my-heart-was-wicked)
I hope to give lots of author talks, and I will probably tell every aspiring writer I meet to buy your book. But before I tell others about how your book taught me how to write, I felt that I should tell you.
Thank you.
Sincerely,
Tricia Stirling
Ain't that somethin'! I've just had a glow on all day. Thank you, Tricia!
Blue skies,
Les
Sometimes, one receives a letter or an email that just plain makes their day. I received such a letter this ayem that did precisely that. She's given me permission to reprint it here and I think you'll see why I was so stoked when I read it. Doesn't really need much amplification. Just to note that it's one of the chief reasons I write and is worth more than money to me. Without further ado...
Dear Les Edgerton,
I am re-reading Hooked, and it occurred to me that I owe you a big thank you. I have been writing for years, went to grad school and several writing conferences. I wrote three novels, but I never felt that anything I wrote was ready to send to an agent. I knew that was true, but I didn't know why.
At one point, I decided that it was time to go back to basics. To actually learn the tools, which it turned out I had never learned! Which is kind of shocking, but there it is. I don't actually remember where I heard of Hooked. I may have just seen it at the library. Now of course, I own a copy.
I realized quickly that the novel I was working on would never sell. There was no inciting incident, no story worthy problem--just people doing things and acting generally grumpy. I rewrote it, found an agent, and my first novel will be released in February. (https://www.goodreads.com/book/show/22010134-when-my-heart-was-wicked)
I hope to give lots of author talks, and I will probably tell every aspiring writer I meet to buy your book. But before I tell others about how your book taught me how to write, I felt that I should tell you.
Thank you.
Sincerely,
Tricia Stirling
Ain't that somethin'! I've just had a glow on all day. Thank you, Tricia!
Blue skies,
Les
Monday, October 13, 2014
New Review!
BIG AL'S BOOKS AND PALS
Monday, October 13, 2014
The Genuine, Imitation, Plastic Kidnapping / Les Edgerton
Reviewed by: Keith Nixon
Genre: Crime / Humour
Approximate word count: 65-70,000 words
Availability
Click
on a YES above to go to appropriate page in Amazon, Barnes & Noble, or
Smashwords store
Author:
Les Edgerton is the
author of sixteen books. He is an ex-con and served two years for a single
charge of burglary, reduced from 182, two strong-arm robberies, an armed
robbery, and a count of possession with intent to deal. Today, he's completely
reformed. Prior to this Les served in the U.S. Navy as a cryptographer during
the Cuban Crisis and the beginning of the Vietnam War.
After making parole, Les obtained a B.A. from Indiana University and then received his MFA in Writing (Fiction) from Vermont College. He teaches workshops nationwide on writing. Born in Texas, Les now lives in Indiana with his family.
You can learn more about the author at his blog.
After making parole, Les obtained a B.A. from Indiana University and then received his MFA in Writing (Fiction) from Vermont College. He teaches workshops nationwide on writing. Born in Texas, Les now lives in Indiana with his family.
You can learn more about the author at his blog.
Description:
Pete
Halliday’s gambling addiction costs him dear – his baseball career is over. So
Halliday heads to New Orleans to find his fortune, hustling. But five years
later he’s failed again and is in debt to a bookie and in deep with Tommy
LeClerc, a man with a pool of luck as shallow as Halliday’s.
LeClerc
comes up with another can’t lose scam, to kidnap the Cajun Mafia King and hold
him for ransom. To demonstrate they’re serious LeClerc says the King’s
amputated hand will be the proof they need to get a sack of cash. Halliday
wants out of the seamier side of life so he can open a restaurant.
But as the
payoff comes in Halliday is double crossed by LeClerc. Halliday has to run for
his life as the mob chases him and his girlfriend, hooker and waitress Cat
Duplaisir, wanting their money returned and to deliver a whole heap of revenge.
Appraisal:
There’s a
large degree of ying and yang in Les Edgerton’s stories – the known mixed in
with the unexpected and Plastic… is
no exception to the rule.
I’ve
previously reviewed a number of Edgerton’s novels including Just Like That, The Rapist and The Bitch. As you may guess from the
titles alone the author isn’t afraid to make a point. They are typically noir
in nature and heavy on crime (big, smiley face from this reviewer). They’re
blunt, yet subtle. And there’s no glamourizing the crime either, in fact quite
the opposite. But with each work the author throws a curve ball at the reader –
these are by no means your usual crime fare.
Plastic… fits into this mould, but Edgerton
has produced a rip-roaring story of back stabbing and screw ups laced with
plenty of black humour - Halliday couldn’t make more mistakes if he tried his
damndest. And because the novel is written in the first person with Halliday in
the driving seat we really see what the narrator has thrown away and continues
to do so. The guy just can’t help himself. With the kidnap of The King and
LeClerc’s subsequent betrayal it seems like Halliday has reached the end of the
road.
The
characterization in Edgerton’s novels are always strong. Halliday, and in
particular Cat, are excellent. But the supporting cast are in there too,
holding up their end. The author, an ex-con, often draws on personal experience
(read Just Like That if you don’t
believe me) which gives an extra level of reality to events. As Halliday
blunders through the novel by turns I winced and laughed out loud. As usual the
author has produced some writing that’s a little bit different to the rest of
us.
FYI:
Some
swearing.
Format/Typo Issues:
None.
Rating: ***** Five Stars
Saturday, October 11, 2014
I'M APPEARING AT THE FAYETTEVILLE, NC PUBLIC LIBRARY
Hi folks,
Next month, I get to go to North Carolina and eat some of the best barbecue in the world! Also, I get to appear at the Fayetteville, NC public library on November 1-2 and talk about writing. Here's the article that appeared in the Fayetteville newspaper about the event.
Next month, I get to go to North Carolina and eat some of the best barbecue in the world! Also, I get to appear at the Fayetteville, NC public library on November 1-2 and talk about writing. Here's the article that appeared in the Fayetteville newspaper about the event.
At Your Library: Aspiring authors, don't miss writers workshop
Posted: Saturday, October 11, 2014 12:00 am
Writers' Workshop @
Your Library 2014 returns to Headquarters Library on Nov. 1-2 with two
days of learning and networking for aspiring authors.
Building on the resounding success of last year, the second annual conference boasts a faculty of 10 authors, who will present a variety of topics of interest to emerging and established authors.
Building on the resounding success of last year, the second annual conference boasts a faculty of 10 authors, who will present a variety of topics of interest to emerging and established authors.
The
workshop is still free, but this year participants can either purchase
boxed lunches, bring their own lunches or walk to any of the area
eateries.
This
year's featured speaker, Les Edgerton, is the author of two noted
writing books, "Finding Your Voice: How to Put Personality in Your
Writing," and "Hooked: Write Fiction That Grabs Readers at Page One
& Never Lets Them Go." He has written 18 books, including the
recently released crime novel "The Genuine, Imitation, Plastic
Kidnapping."
Edgerton
will speak once during the concurrent sessions Saturday and in a
marathon 5 1/2 hour talk Sunday, when he will show - and deconstruct -
the 1991 Oscar-winning screenplay about two average women whose simple
weekend getaway goes horrible awry. The presentation, "A Fiction
Writer's Workshop @ the Bijou," the subject of his next craft book, will
show how an author can use action and screenwriting techniques to build
character, theme and plot.
The workshop will also include these presenters:
Suzanne
Adair (Michael Stoddard American Revolution Thriller series) will talk
about plotting your work using Joseph Campbell's model of the Hero's
Journey.
Annette
Dunlap ("The Gambler's Daughter: A Personal and Social History'' and
"Frank: The Story of Frances Folsom Cleveland, America's Youngest First
Lady'') reprises her popular talk from last year's conference on writing
nonfiction. If you missed it last year, you'll have plenty of
opportunity this time. She's doing it twice this year.
Craig Faris ("The Spectrum Conspiracy") discusses "The Subtle Art of Suspense."
Marni Graff (the Nora Tierney mystery series) explains "The Challenges of Setting Your Novel in Another Country."
Clay
and Susan Griffith (the Vampire Earth series), noted for their
steampunk vampire novels and work in graphic novels, talk about
character and action.
Chris
Roerden ("Don't Sabotage Your Submission'') shares her editorial
experience with "Showing and Telling." Later she teams with Susan Sloate
("Stealing Fire" and "Forward to Camelot: 50th Anniversary Edition")
for an examination of the editorial process from the point of view of an
editor versus an author.
Susan
Sloate again shares her marketing secrets for creating an Amazon
best-seller and adds a new presentation on how to use screenwriting
techniques in fiction.
Sam
Wazan ("Trapped in Four Square Miles"), who impressed us all at Book'em
NC, discusses memoir and using it to find your voice.
Registration is required by calling 483-7727, ext. 1339. For more information and a tentative schedule, visit cumberland.lib.nc.libguides.com/WritersWorkshop2014.
This
project is funded by the Friends of the Cumberland County Public
Library and the Arts Council of Fayetteville and Cumberland County,
which is supported in part by contributions from businesses and
individuals, and through grants from the city of Fayetteville,
Cumberland County and the North Carolina Arts Council, an agency of the
Department of Cultural Resources.
Robin Deffendall is an information services librarian.
I'm really excited about this. Not only will I be able to escape Ft. Wayne's early winter for a few days, I'll get to hang with a bunch of writers and readers. I'm especially excited because two of the writers who take my online novel-writing class are going to attend. Can't wait to see Jeff Myer who lives in Fayetteville and Mary Edelson, who lives in Virginia.
I'll have to keep my excitement level toned down a bit over today's victory by my Irish over the Tarheels... Naw... I'll have to crow just a little...
Blue skies,
Les
I'm really excited about this. Not only will I be able to escape Ft. Wayne's early winter for a few days, I'll get to hang with a bunch of writers and readers. I'm especially excited because two of the writers who take my online novel-writing class are going to attend. Can't wait to see Jeff Myer who lives in Fayetteville and Mary Edelson, who lives in Virginia.
I'll have to keep my excitement level toned down a bit over today's victory by my Irish over the Tarheels... Naw... I'll have to crow just a little...
Blue skies,
Les
Monday, October 6, 2014
REVIEW--SCOTT ADLERBERG'S JUNGLE HORSES
Hi Folks,
I'd like to recommend a fantastic book I just read, Scott Adlerberg's JUNGLE HORSES. Here's my review of it:
Review of Scott Adlerberg’s JUNGLE
HORSES
Every great once in awhile, as a writer,
I come upon a book that serves as a wake-up call as to why I originally wanted
to be a writer and reignites that original fever. The first books I read that
excited me about literature were novels that created entirely new worlds out of
whole cloth. The Jules Verne novels, the Edgar Rice Burroughs tales, the
stories set in places like nowhere on earth. And then, as time went on and I
became more and more inured into writing professionally, I kind of forgot that
original excitement. Well, it was just reignited. I picked up a copy of Scott
Adlerberg’s newest novel, JUNGLE HORSES, and instantly felt like I was 7 or 8
again, racing through 10,000 LEAGUES UNDER THE SEA or TARZAN OF THE APES. I was
immediately transported into a world that had never existed before and it was
just plain exhilarating! This was a writer who was obviously the kid the
English teacher back in the eighth grade singled out when she announced to the
class that this kid had a wonderful imagination. Too often, as we get older and
more jaded, we keep using the same old settings and same old plots and when you
happen on a story like JUNGLE HORSES, it feels like it does when a Santa Ana
comes down out of the mountains in L.A. and blows all the smog out to sea and
the air gets crisp and clean and your lungs feel like new.
I’ll leave it to others to describe the
plot, except to say that it involves a degenerate gambler, a weird sexual triad
with one of the players impotent, and an island that I think broke off from the
island of Dr. Moreau and drifted a few leagues away. And horses. It almost
doesn’t matter what the plot is—it’s a dream and you enter into it immediately
and willingly. Because of its atmospheric quality, it will be tempting to call
it a work of noir, but it has a higher and reaches it—this is literature and
literature of the highest quality.
I’ll leave the plot details to the cover
copy, which describes it as:
Arthur lives a quiet life in London,
wandering from the bar to the racetrack and back again. When his pension check
dries up, Arthur decides to win it all back with one last big bet at the
bookie. When that falls through, Arthur borrows money and repeats the process,
until he's in too deep with a vicious gang of leg-breakers.
The plan to save his skin will take him far from his home, to a place where a very different breed of horse will change his life forever.
The plan to save his skin will take him far from his home, to a place where a very different breed of horse will change his life forever.
I have no idea why, but the entire time
I was transported into Adlerberg’s tale, I kept thinking I was reading a story
by William Goyen. I think it was the voice he employed.
I’m just thankful for coming upon a
story that reminded me of why I wanted to be a writer. I feel like my own roots
have been rejuvenated. It’s a wonderful thing to be reminded of the
possibilities of story.
Pick up a copy--you'll be glad you did!
Blue skies,
Les
Just in--Review of THE GENUINE, IMITATION, PLASTIC KIDNAPPING by Australian blogger
Hey folks,
Review: The GENUINE, IMITATION, PLASTIC KIDNAPPING by Les Edgerton
From the back of the book:
The Genuine, Imitation, Plastic Kidnapping is a mix of Cajun gumbo, a couple tablespoons of kinky sex and a dash of unusual New Orleans settings. The reader follows the comic mis-adventures of Pete Halliday, busted out of baseball for a small gambling problem, Tommy LeClerc, a Cajun with a tiny bit of Indian blood who considers himself a red man, and Cat Duplaisir, a part-time hooker and full-time waitress. With both the Italian and Cajun mobs after them, a chase through Jazz Fest, a Tourette's outbreak in a black bar and other zany adventures, all seems lost.
My Review:
An ingenious comedic crime caper that captivates, engages, and demands the reader’s attention. THE GENUINE IMITATION PLASTIC KIDNAPPING is, as the title implies, a story of kidnapping that perhaps isn’t the real McCoy, attempted by a couple of armature part time criminals who blunder, battle, and somehow pull of a daring (and stupid?) abduction of a mafia boss. But wait, that’s not the beauty in this brutally brazen idea – the Mafioso is only part of the plan. Amputating his right hand and ransoming it back to him is the idea – one that actually works…for a while.
The following review just came out today from the Australian blog: JUST A GUY WHO LIKES TO READ
Monday,
October 6, 2014
Review: The GENUINE, IMITATION, PLASTIC KIDNAPPING by Les Edgerton

The Genuine, Imitation, Plastic Kidnapping is a mix of Cajun gumbo, a couple tablespoons of kinky sex and a dash of unusual New Orleans settings. The reader follows the comic mis-adventures of Pete Halliday, busted out of baseball for a small gambling problem, Tommy LeClerc, a Cajun with a tiny bit of Indian blood who considers himself a red man, and Cat Duplaisir, a part-time hooker and full-time waitress. With both the Italian and Cajun mobs after them, a chase through Jazz Fest, a Tourette's outbreak in a black bar and other zany adventures, all seems lost.
My Review:
An ingenious comedic crime caper that captivates, engages, and demands the reader’s attention. THE GENUINE IMITATION PLASTIC KIDNAPPING is, as the title implies, a story of kidnapping that perhaps isn’t the real McCoy, attempted by a couple of armature part time criminals who blunder, battle, and somehow pull of a daring (and stupid?) abduction of a mafia boss. But wait, that’s not the beauty in this brutally brazen idea – the Mafioso is only part of the plan. Amputating his right hand and ransoming it back to him is the idea – one that actually works…for a while.
One of the things I really liked about this book was the fact
that the central plot device didn’t deviate despite the bevy of criminal
enterprises the unlawful entrepreneurs Pete and Tommy underwent. Pete gets left
for dead, locked up, shot at, becomes instantly rich the equally broke and then
goes on the lamb from his bookie that he’s in debt to, all before the unique
kidnapping plan is hatched. It’s a great ride that only gets better.
As if THE GENUINE IMITATION PLASTIC KIDNAPPING wasn’t cool
enough in its own right, the endnote by author Les Edgerton paints the
characters in a new shade of realism by virtue of their real-life counterparts.
Wow – pretty much sums up reading post script.
Feels good to know that the folks "Down Under" are liking it!
Blue skies,