Last year, I was privileged to be asked by then-president Dawn Allen to be the keynote speaker at the Oklahoma Writers Federation Inc. annual convention in Oklahoma City and this is the speech I gave. Hope you enjoy it.
- Have something worth saying.In his book Culture Care, artist Makoto Fujimura tells a story he confesses may be legendary about a Yale student taking Hebrew from the great Old Testament scholar Brevard Childs. The student, discontent with his grades, asked the scholar how he could raise them. Childs’s answer: “Become a deeper person.”
In the same way that logic is what moves people in a speech, logic is what moves people in writing. And to have logic, to move people, we must have something worth saying. In fact, probably about 90% of writing is having something worth saying. And how do we get something worth saying? By expanding the world of ideas to which we expose ourselves and by cultivating a rich inner life.
- Decrease your vision. That is, “think local.” Start with your family. Doug Bender, the bestselling author of I Am Second: Real Stories. Changing Lives. wrote a book for an audience of one. When Doug’s wife had a miscarriage, it grieved the Bender’s little girl. So Doug wrote a child’s book about death and loss just for her.
- Write what contributes to human flourishing, not what you perceive as the next hot market. Trying to predict what will sell is like leaning on cobwebs. Just about the time you find a post to rest against, it gives way. By the time you finish writing a book to meet demand, the market will have left you in the dust. So write what you love to write and/or what you can write with excellence.
- Measure success accurately. You will be tempted to measure your own success by a number of externals that have nothing to do with your worth. Tell yourself they are lies.
But that does not make these structures failures. It just means that when measured by one narrow definition of success, they failed. As writers, any number of false measures can make us feel like losers. Did our last book fail to earn out its advance? Did we do a book tour? Did the work gain rave reviews in Publishers Weekly and Library Journal? These are not accurate measures of whether we can write. Lots of crummy books sell big. Many divergent books make their authors lots of money, but that does not make the books or the authors successes.