Showing posts with label Mark Ramsden. Show all posts
Showing posts with label Mark Ramsden. Show all posts

Thursday, August 2, 2018

PREORDERING AVAILABLE FOR ADRENALINE JUNKIE

Hi folks,

Just learned that my memoir, ADRENALINE JUNKIE, is available for preordering (paperback edition) on Amazon.

Some early blurbs:

Having survived an American Gothic horror story of a childhood, unrepentant former thief, dope dealer, hedonist, Navy hellraiser, and porn actor Les Edgerton—now a writer and teacher—tells a tale of many tales: If  Scheherazade were an old pirate who got  away with the gold, this would be his opus.

Earl Javorsky, Author, Down to No Good and others.

"Where to start with Les Edgerton's memoir, ADRENALINE JUNKIE ...? I once said, if there's a book in everyone, then there's a library in Les - now I may need to revise that estimation, upwards. No one can accuse Les of being a 'crime tourist'. He's lived the life, done the bird, and now he's written the book. ADRENALINE JUNKIE should be on any prospective (or established) crime writer's list. An entertaining, darkly-rendered tale of one man's adventures in the very belly of the beast."
-Tony Black, author of HER COLD EYES

"In a way, Edgerton already wrote ADRENALIN JUNKIE in his crime novels. With the veneer of fiction removed, his always entertaining, often enlightening, sometimes infuriating and unapologetic stories hit even harder. Without any doubt, Edgerton is one of the great storytellers of fiction - and now non-fiction."

Benjamin Sobieck, author of the Writer's Digest Guide to Firearms and Knives and the Maynard Soloman crime humor series


Les Edgerton's Adrenaline Junkie is the compelling, beautifully written story of an extraordinary man who has lived on both sides of the tracks, seen through the bullshit and the hypocrisies, and come out saner and stronger for it. From the opening jail house scene to the end, this is a ride of heartache and passion, of tempest and brilliance, like a cross between Genet and Steinbeck, like a chorus celebrating the underdog, the downtrodden, the criminal, and the inspired, a chorus that only keeps getting louder and rising in melody, as Edgerton achieves a sort of sainthood among sinners, an apotheosis of rebellion and force, much like Harcamone at Fontrevault, or a hero in a Johnny Cash song, a huge, Promethean work of major significance and scale.



'How often is a memoir genuinely astounding? A reformed outlaw takes us through his harsh rural childhood, working harder before he was twelve than most of us ever will.  
There follows armed robbery, pimping, drug dealing, rape in prison, narrowly avoiding a hellcat's castration attempt, suicide foiled by the rope breaking, a walk on part for Charles Manson and his creepy serial killer mate - who got short shrift from our host. And so much more... So many startling sentences:' She was going to be his last fuck before the operation and I was going to be his first after he became a woman.' 'It was then Charles Manson started to contact me...' There's a satisfying twist late on after he becomes a family man so this fascinating book has just the right ending.' 

'Essential reading. Makes Bukowski seem like Donny Osmond.'

Mark Ramsden, Author, The Dark Magus and the Sacred Whore, The Dungeon Master's Apprentice,  Dread - The Art of Serial Killing, Radical Desire: Kink and Magical Sex, War School 


Les is a real, honest-to-God writer in a world full of wannabes. So it goes without saying, his memoir Adrenaline Junkie is better than most novels you’ll read in your life - largely because his real life is more interesting than most novels. Buy it. Read it. If you don’t like it that’s your fault, you stick in the mud.

Damien Seaman, Author, The Killing of Emma Gross


Adrenaline Junkie is like no memoir I have read. Filled with stories of knifings, armed robberies, brutal prison fights, and Charles Manson (yes, that Charles Manson!), Edgerton proves that life can be stranger (and certainly more violent) than fiction. But Edgerton isn’t just a guy with a tough story to tell. He’s a poet who startles you with sentences both stark and darkly beautiful. An astonishing accomplishment.
Jon Bassoff, Author, Corrosion and others



“I’ve known Les Edgerton for going on 25 years. I immediately took to him in writing school, not because he was funny as shit and talented, but because he was the real thing. But it wasn’t until reading his memoir that I realized the extent to which he lived the things he wrote about. Adrenaline Junkie is at once heartbreaking, as it is funny, and just plain sick. I worked up a sweat reading it. It’s sort of like a witnessing a plane crash. You don’t really want to look at the carnage, but you can’t help but stare. A masterful work that will be lauded by both writers and the general reading public alike.”
Vincent Zandri, New York Times and USA Today bestselling Thriller Award winner of Moonlight Weeps and The Remains.  



Adrenaline Junkie by Les Edgerton will be required reading for crime writers one day, a bible for future authors to study rebellion and the human spirit, that smart-ass spark inside us all that doesn’t like taking orders from parents, teachers, and even the law. Author of The Rapist and The Bitch, two of the most profound noir novels published this decade, an ex-criminal and former prison inmate, Edgerton knows what makes all of us tick, and how, with not much of a shove, any one of us could end up behind bars. One of the most fascinating autobiographies you will ever read: From professional thief and pimp to award-winning author and teacher.
 --Jack Getze, Author of the Award-Winning Austin Carr Mysteries 


Friday, June 22, 2018

BRIT MARK RAMSDEN INTERVIEWS ME

Hi folks,

Brit writer and jazz musician, Mark Ramsden, interviews me on his blog about my forthcoming memoir, Adrenaline Junkie. Click here to see it.

Blue skies,
Les     

Tuesday, February 5, 2013

More writer's quotes and a couple prepub blurbs for THE RAPIST



Hi folks,

A couple more advance blurbs for THE RAPIST, followed by more writer’s quotes. Hope you enjoy ‘em!

First blurb is from Mark Ramsden, a British musician and novelist whose work you should check out.

If the narrator of Camus’ The Outsider had written an especially disturbing thriller it would be The Rapist - rock hard, darkest Noir, very fine writing, first-class storytelling.
An intelligent, proud psychopath on death row tries to win your approval, in the last few hours before the big sleep. You don’t like him but it’s impossible to stop reading.
While some of us tourists can sometimes concoct realistic stories from knowing criminals and having dabbled occasionally, Mr Edgerton has served time, giving him knowledge citizens prefer not to have.
Writers Helen Fitzgerald and Wendy Gager also had initial misgivings being associated with this title and a persuasive narrator. My name, for the few who know it, is already associated with unapologetic hard drug use, chronic alcoholism, a lightweight’s criminal record, sex work, (that’s where drugs can take you) and twenty years campaigning for consensual fetish sex. “This is supposed to be about him!” sorry, but if degenerates like me are squicked out by our unrepentant host, a cold man who looks down on those who empathise with other humans, you might feel uneasy about this book. Decent people should despise scumbag predators but that’s not a reason to avoid this gripping book.
I’m thrilled to have a new author over whom to obsess. It’s been a while since I discovered Ted ‘Get Carter’ Lewis, Elmore Leonard and Thomas Harris. Decades since I saw my first Tarantino. Les Edgerton belongs in that company.

And here’s one from another Brit, the uber-talented Nigel Bird:

Les Edgerton’s ‘The Rapist’ is an extraordinary book.
In essence, it describes the events leading up to the protagonist’s incarceration and the time he passes as he waits his final dawn to arrive.
It’s written in a style of yesteryear and there are sketches that suggest a contemporary setting; what I feel the author achieves by this juxtaposition is to direct his thoughts to the human condition as it’s always been rather than it might be at any given point.
The main character is an intellectual. A pedant. A philosopher. He is in the middle of a war of attrition against the people he meets, himself and even more importantly with the reader.
It’s like being hit repeatedly by a blunt object as he cajoles and insists and backs up his arguments. There are even times when the guy seems convincing and these are the most disturbing sections of all.
There aren’t many modern books like this, I’m pretty sure. Though it may not always be a fun ride, there’s an element of satisfaction for the reader who takes this on in undertaking such a perilous journey.
I left ‘The Rapist’ battered, bruised and exhausted - what more can one say about a book than that?

Thanks, guys!

Now—here’s some more of quotes from writers about all kinds of subjects.

On fame:

“Fame is a vapor, popularity an accident; the only earthly certainty is oblivion.” Mark Twain

“First you’re unknown, then you write one book and you move up to obscurity.” Martin Myers

“A writer is always admired most, not by those who have read him, but by those who have merely heard about him.” H.L. Mencken

“When audiences come to see us authors lecture, it is largely in the hope that we’ll be funnier to look at than to read.” Sinclair Lewis

“It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous.” Robert Benchley

Lolita is famous, not I. I am an obscure, double obscure, novelist with an unpronounceable name.” Vladimir Nabokov

“Odd things happen to book writers when they become famous.” Ronald Sukenick

“Little presses write to me for manuscripts and when I write back that I haven’t any, they write to ask if they can print the letter saying I haven’t any.” John Steinbeck

“It’s a short walk from the hallelujah to the hoot.” Vladimir Nabokov

On grammar:

“Grammar is the grave of letters.” Elbert Hubbard

“Any fool can make a rule and every fool will mind it.” Henry David Thoreau

“I don’t know any but the simplest rules of English grammar, and I seldom consciously apply them. Nevertheless, I instinctively write correctly and, I like to think, in an interesting fashion. I know when something sounds right and when it doesn’t, and I can tell the difference without hesitation, even when writing at breakneck speed. How do I know this? I haven’t the faintest idea.” Isaac Asimov

“Usage is the only test. I prefer a phrase that is easy and unaffected to a phrase that is grammatical.” W. Somerset Maugham

“Why care for grammar as long as we are good?” Artemus Ward

“You can be a little ungrammatical if you come from the right part of the country.” Robert Frost

“Grammar is a piano I play by ear. All I know about grammar is its power.” Joan Didion

“Word has somehow got around that the split infinitive is always wrong. That is a piece with the outworn notion that it is always wrong to strike a lady.” James Thurber

These folks ain’t lyin’…

Hope you enjoyed ‘em!

Blue skies,
Les

My agent Chip Macgregor and me hanging out. (I'm the good-looking one...)