Tuesday, July 3, 2012

NEW SHORT STORY TITLED "TOURETTES"

Hi folks,
Still without electricity! This bites... Word is, we'll have juice back on tomorrow. Anyway, I can get down to a nearby coffeeshop once a day to charge the ol' laptop and check emails. Usually have about an hour to do stuff, and one of the things I'm doing now is posting this.

Noir writer/editor Court Merrigan contacted me a while back to ask if I'd send him a short story for his emagazine Bareknuckles Pulp Press which he was relaunching after a hiatus, and he did me the honor of saying he'd like mine to be the first story for the relaunch. How in the heck can anyone refuse such a distinct honor? I sure couldn't! Problem was, I don't write short stories these days, but I came up with a solution, and came up with an excerpt from my as-yet-unpublished black comedy crime novel, THE GENUINE, IMITATION, PLASTIC KIDNAPPING.  This book was the most fun I've ever had in front of a typewriter and with most of my clothes on and I'm writing a second novel with the same characters in what I hope becomes a series. I sent the excerpt to Court and he claimed he loved it and I guess maybe he did as he published it and if you want to check it out, just go to http://www.outofthegutteronline.com/2012/07/bareknuckles-pulp-no-1-tourettes.html and start reading.

Not to give stuff away, but there's a scene in it where the protagonist's main squeeze, Cat, who happens to be a call girl, provides a diversion for him in a black bar so he can escape being rendered room temperature by Sam Capelli, the enforcer for the local Mafia to whom he owes money. This novel came to life first as a short story published in THE SOUTH CAROLINA REVIEW, and then I wrote this novel, and then I wrote a screenplay based on it. When I wrote the screenplay, I was teaching for the UCLA Writer's Program, and was engaged in co-writing another screenplay with Steve Duncan, a black screenwriter who wrote THE COURT-MARTIAL OF JACKIE ROBINSON (A TNT Special), and was the creator/runner for two TV series, A MAN NAMED HAWK and TOUR OF DUTY. I was afraid this scene might offend black readers/viewers, so I ran it past Steve to get his opinion from a black man's pov. "Shit, Les," he said. "This is just plain funny stuff! Nobody's going to be upset at all." And so I kept it in.

Hope you enjoy the read. Also, if anyone happens to be friends with Woody Harrelson, I'd love to have him read the screenplay. I wrote it envisioning him to be the lead character, Pete, but he'd need to read it to determine if he'd be interested or not. I almost had a chance to contact him a few years ago when my dentist said he'd send it to him, but that never materialized. My dentist, a cool guy named Ron Rumbaugh played in a band with Woody when they were both at Hanover College and they've remained friends, but time passed and I didn't press Ron to send it to him and now we've kind of lost touch. So...

(You just never know who knows who...)

Blue skies,
Les

Monday, July 2, 2012

Storms, electricity, reviews and a contest!


Hi folks,
It’s been a hectic few days here in Ft. Wayne. Last Friday, the temp reached a record 106 degrees (108 by our own thermometer!), and then a cold front came in and along with it near-tornadoes. Don’t know if we had any actual tornadoes—rumors were that two touched down—but the winds were fierce—reportedly 80-90 mph--and power lines were (and are) down all over town. As of this morning, there are still over 70,000 homes and businesses without power—including us. We’re still staying in our house and nights are miserable as the heat’s back. They’re telling us we may be without power until late Wednesday night. I’ve been able to go to coffee shops and cobble this together a bit at a time.

First thing is, I want to post a review I did of Brit author Richard Godwin’s amazing new novel, MR. GLAMOUR. A fantastic read! Here’s what I think of it:

My review of Richard Godwin’s MR. GLAMOUR

While most readers and reviewers were drawn to the plot and the mystery of Richard Godwin’s brilliant novel, Mr. Glamour--as I was as well--I was struck even more by the setting. After all, once you know “whodunit,” usually there’s no reason to return to the book. In this case, there is. I’ve now read it twice and will read it several more times and it’s not to find out “whodunit” but to learn even more about both the psychology of the characters and to learn about a part of London I was sharply ignorant of. The insights Godwin provides of both are worth many hours in rereading what I predict will become a classic.

What Eugene Izzi did for the city of Chicago in novels like The Criminalist, Richard Godwin has done for London in Mr. Glamour. Like Raymond Chandler who was one of the best at creating a character out of the setting—in his case, Los Angeles--Godwin has given us London as a character. A London not seen heretofore, at least in noir. Most writers deliver us the seedy underworld of the city—the world of workingman’s and thieves’ bars and prostitute haunts and dank gaols populated by sadistic guards and murderous felons—whereas Godwin has sharply defined the world of the upper crust as being veined with the same dark blood as flowed through Jack the Ripper’s carotid… if Jack wore Armani and ate at the best four-star restaurants.

This is a story of the “Beautiful People” but none are beautiful save for their designer clothes and cars and mansions and platinum cards and the other trappings of wealth. All are twisted and ugly in one way or the other. This is surely the nihilistic view of a writer who has experienced life and thought hard about it and knows with a surety that’s discomfiting, that we all possess what Jung termed “the shadow side” no matter what level of society we find ourselves perched on. This is a story about the upper crust, but not the faction that we normally expect to see—not the royalty of London and England, but the portion of wealthy society that’s gained its advantage in ways other than inheritance or family. This is a part of London that’s more akin to Hollywood than either the England of Lord Faversham or the London of Tiny Tim and Nell. It’s a world that is particularly of the 21st century and could not have been set anywhere else or in any other period.

This novel reminds me of something author Sharon Sheehe Stark told me during one of my MFA residencies at Vermont College where she was on the faculty and my workshop leader. She said, “When you create a villain, if you want a truly great one, don’t use that oft-advised technique of ‘making ‘em like kittens.’” No, she said: “Paint them as black as you possibly can, for if you do that, the light will shine through the cracks.” She’d be pleased about Mr. Glamour, for that’s exactly what Godwin does.

Flannery O’Connor, in speaking of great endings, would doubtlessly approve of Godwin’s ending here, when she said (badly paraphrased) that “a great ending will surprise the reader, but, upon reflection be the only possible and best ending to be had.” A perfect description for Mr. Glamour. Trust me—you won’t see this one coming! And then… you’ll exclaim, “Of course!”

For readers of mystery, of thrillers, of horror, of noir—this novel will satisfy each particular taste. It will also satisfy the palate of those who enjoy simply good literature, for it is that as well. If this were a restaurant, it would have earned its Michelin star.



Susan Lerner
And now I’d like to give a wonderful new author some props with her first novel. Please meet Susan Lerner. Susan asked me to work with her on her novel A SUITABLE HUSBAND. It’s out now, available both in paperback and as an ebook. Here’s the review I wrote for Amazon and Goodreads:

A stunning portrayal of the changing social and political climate of 1930s Poland as embodied by Bianca Lieber, a young Jewish woman caught between the traditional family values of her parents and those of a volatile younger generation, unwilling to accept the status quo.

It has become almost a cliché to describe a novel as a `page turner,' but in this instance, the description is apt. The writing is never forced, and the pressure never lifts from Bianca, her mother, and her twin brother; each with their own, often conflicting, hopes and dreams, but all of them struggling against increasingly anti-Semitic government policies and harsh new realities.

Occasionally, a work of fiction appears that transcends mere genre and simple entertainment and enters a new level of literary worth. A Suitable Husband is a book that is a truly modern look at the issues that face all of us in a rapidly-changing world. It is one of those books that has the potential to change the reader in a profound way.


You’ll be glad you did—it’s a truly remarkable novel.


And, finally… Zurich writer Veronica Sicoe is having a little contest on her blog that includes yours truly. Kind of a cool contest. Veronica liked my 5-sentence outline so much that she’s having a competition to see which of her readers (or anyone else who wants to, including you guys) can come up with the best 5-sentence outline for their novel. Veronica and I will judge them and the winner will receive a signed copy of my lil blue book, HOOKED.


Well, my time here at the coffee shop is over. They’re giving Mary and me dirty looks, so… Just hoping the juice will be on when we get home…

Blue skies,
Les


Wednesday, June 20, 2012

RICHARD GODWIN INTERVIEW--CHIN WAG AT THE SLAUGHTERHOUSE

Hi folks,

I've been waiting for a long time for this to appear--I participated in an interview with the brilliant writer, Richard Godwin, that took us over a month to create and I'm extremely proud of it. Richard asked the kinds of questions I've never been asked and have always wanted to respond to. I've been honored to have been interviewed by lots of folks, but never to the depth Richard goes to.

Please check it out if you have a few minutes at http://www.richardgodwin.net/author-interviews-extensive/chin-wag-at-the-slaughterhouse-interview-with-les-edgerton

I doubt if I'll ever have another opportunity like this one. As exhausting as the process was, I don't know if my mind and body could hold up! It was a draining experience.

Blue skies,
Les

Friday, June 8, 2012

STORAGE WARS AND CREATING TENSION IN NOVELS



Hi folks,

Just about all of us writer types are always looking for ways to improve our craft. I know I am, and I’ll bet a month’s rent you are as well. Sometimes, I think we limit ourselves a bit by only going to the “regular” sources for help on improving our art. You know: craft books, webinars, writer’s conferences, blogs, video presentations… all of those places we know we can find information. Those are all great sources, but sometimes I think we miss other great places where writing instruction might be available.

If you’ve followed my lil blog here awhile, you might remember the bit I did on Chef Gordon Ramsay. Remember I compared what he put forth on his KITCHEN NIGHTMARES shows as being perfectly suited for writers? Absolutely!

Well, for the past few weeks I’ve been thinking about another show that I think provides great examples for writers to use in improving our craft.

STORAGE WARS!

Yep. If you haven’t seen an episode, check it out on the Arts & Entertainment network. http://www.aetv.com/storage-wars/ You’ll be happy you did I think, especially after seeing what I found valuable for our craft in the show.

TENSION.

Yes, tension. As gripping as any Linwood Barclay mystery or Stephen King horror novel. Well, maybe not quite as tense as Mr. King’s and Mr. Barclay’s work—pretty hard to beat the masters! But, still enough tension to warrant our taking a look at how they achieve it and apply it to our own work.

First, for those who perhaps haven’t seen the program, it’s about a group of people who make their livings by going to storage locker places and buying, in auction, those lockers which’ve been abandoned by their previous owners.

Sounds kinda sucky, doesn’t it! I imagine the producers had a better pitch description than I came up with! But, basically, that’s what the show is about.

I’ll bet that before this show aired many of us have at least been to a storage locker place and never once thought of it as the setting for a gripping show. I know I never did! But these folks made this apparently innocuous setting and “ordinary” characters so interesting that my wife and I have even talked about chucking it all and entering the business ourselves… Well, briefly. Then, my wife Mary inserted some common sense into the discussion by uttering the magic words, “No way, Charlie A. Cheese.”

Anyway. Back on point.

If you haven’t watched an episode, do so at your first opportunity. When you watch the show, take note of the commercials. Well, not the commercials themselves—the part of the show immediately before the commercials come on. Notice something? If you’re anything like me, you’re silently urging the commercial to “hurry up, already!” We want to return to the place the narrative stopped before the ad popped up. We grow more and more impatient as the ads appear, and then, finally… finally… the show returns. But… another groan escapes our lips as what we see next is a brief snippet of what was last on the screen. And, what was that? Several standard things. It might be a glimpse at a locker that was just opened and Barry has just spotted an item at the back everyone else missed. Although  It might be Jarrod and his bosomy (and sharp-tongued) wife Brandi who’s just gone through the locker he won in the auction for it and everything they looked at was junk, until this last box and when he opened it, he exclaimed, “Oh my God!” At which point the screen went to… you guessed it… commercial breaks. Without allowing us to see what he’s going bananas over.

Not only were we transfixed waiting for the revelation of what was in Jarrod’s box or what it was Barry spotted that put a gleam in his eye… the producers show a really cruel and even sick side of themselves… they don’t show what we’ve been waiting for right away, but heighten our tension even more by repeating the buildup that they ended the previous segment with.

Tension.

By pros.

Spend some time some evening and watch this show. See if you don’t see techniques you can steal for your own fiction. I’ll bet that aforementioned rent money that you will.

What other TV shows do this for you? Start watching shows with a new eye—when you come across one where you can’t wait for the commercials to be over, study how they achieved that effect in you and figure out how to apply it to your own writing.

If a show about a storage locker facility can generate this kind of tension, imagine how their techniques will work in your own novel which has a way more cooler setting than a storage locker!

What other television shows can you think of that achieve this? And, besides TV shows, what other sources are out there that can help inform our craft that we don’t normally think of? And, what are some of the other ways STORAGE WARS works to create tension? Can you spot at least two?

Blue skies,
Les

Thursday, June 7, 2012

LIVE WEBINAR with moi(!) on CREATING GREAT NOVEL BEGINNINGS


 Hi folks,

I’ll be teaching a StoneHouse University 3-class series on creating great novel beginnings. It will be held for three straight days for two-hour sessions from 1:00 p.m to 3:00 EST, on June 26, 27 and 28. Anyone with an internet connection can participate. Each class requires a separate signup and each class builds on the previous, so for maximum benefit I’d suggest signing up for all three classes. Complete details on content for each class are given at the link below.

Note: Registration for all 3 classes isn't required, but is highly recommended. You must register for each class separately.

Complete information and details, including registration sign-ups for all three classes, are available on the StoneHouse University blog at http://stonehouseink.net/creating-great-novel-beginnings-3-classes-with-les-edgerton/

Cost: Cost for each class is $50.00, but StoneHouse University is offering a discount for only $32 per class if you sign up before 6/9. After that, the regular price will apply.


We’ve been working on these classes for over six months and I’m very pleased with the results. I think you’ll feel the same after attending. StoneHouse Ink is the publisher of two of my novels—JUST LIKE THAT and THE PERFECT CRIME, and will be coming out very soon with a new YA of mine, titled MIRROR, MIRROR.

Hope to see you in the audience!

Blue skies,
Les

P.S. If you haven’t seen the recent video interview I did for the Allen County Public Library for their YouTube series, check it out at: http://youtu.be/PoihFwCJKYw
 
You’ll see that myth that the camera adds ten pounds to you is just that—a myth. (In my case, it added 25 pounds… And, transformed my voice into something I don’t recognize…)

Wednesday, June 6, 2012

ANTIOCH WRITER'S WORKSHOP

Hey folks,

I'm appearing as a presenter (Fiction) at the upcoming Antioch Writer's Workshop in Yellow Springs, Ohio, from July 7 - 13, and would love to see some of y'all there! Registration closes tomorrow and here's the link if you'd like to check it out: www.antiochwritersworkshop.com

There's an all-star lineup for a solid week of writing instruction, workshops and lots and lots of other stuff. For example, I'll also be providing critiques for individual's manuscripts and so will other presenters. Check it out--it's great lineup!

The day after I return from Ohio, I'll be heading down to Indy to make a presentation at the Midwest Romance Writers affair. Hope to see some of you folks there also!

Blue skies,
Les

Tuesday, June 5, 2012

INTERVIEW ON YOU TUBE

Hi folks,

I recently was interviewed on writing at the Allen County Public Library and it just got posted on You Tube. Anyone interested can see it at http://youtu.be/PoihFwCJKYw

Hope you enjoy it!

Blue skies,
Les